Autonomy and Commitment in Twentieth-Century British Literature

This collection of essays means to explore the interaction between autonomy
and commitment in an attempt at revisiting and possibly, revising conventional
literary history. Until recently, literary history has indeed tended to
present twentieth century British literature as either autonomous or
committed, but such a position certainly needs qualification. By addressing
the joint issues of autonomy and commitment and basing their arguments on such
theoretical writings as those of Adorno, Benjamin, Jameson, Rancière or
Attridge, the essays presented here come to question the canonical definitions
of modernism as experimental literature, the literature of the 1940s and 1950s
as committed and post-modern fiction as self-reflexive and autonomous. Through
reflections on experimentation and ideology, narcissism and metafiction,
aestheticism and militancy, abstraction and ethical involvement, they flesh
out the very definitions of autonomy and commitment, confront the two notions
and relentlessly test their interaction, thus bringing out the complexities
and subtleties of the various moments and movements that make up the literary
landscape of the 20th century and the beginning of the 21st.